The Zone
2025/9 - 2026/2
2026 / scroll-format digital illustration
我一直想像也許我可以是一座工業區，一座城邦或是一片地塊。
I have long imagined that I could be an industrial zone—a city-state, a territory.
龐大的舊日建築是我的五官，草木土地是我的皮膚，石油在我的血管中蠕行，文明的毀滅與新生是我在一呼——一吸。
Vast, aging structures become my features; soil and vegetation my skin; oil crawls through my veins; the rise and collapse of civilizations mark the rhythm of my breath.
許多混沌狂妄的的幻想——以及末日電影組成了我。
A multitude of chaotic, hubristic fantasies—and the afterimage of apocalyptic cinema—compose me.
於是我以這樣的一個作品為大學畫上句號，这是一幅自画像，一个以我命名的世界的剖面。
This work concludes my undergraduate years—a self-portrait, a cross-section of a world bearing my name.
特別鳴謝：安德烈·塔可夫斯基和英格瑪·伯格曼。
Special thanks to Andrei Tarkovsky and Ingmar Bergman.
https://example.com
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金瓶梅·貪嗔痴愛之死
2025/1 - 2025/4
2025 / illustration series
「金瓶梅」描繪了一幅極具生命力又充斥血腥氣的女性群像，她們喧鬧，算計，取樂，爭鬥，在極其具體的日常中彼此撕扯，也相互依附。
The Plum in the Golden Vase presents a female tableau brimming with vitality yet steeped in a visceral, almost sanguine atmosphere. They are loud, calculating, indulgent, and combative—tearing at one another and clinging to one another within the most concrete textures of everyday life.
蘭陵笑笑生憑藉對社會深刻的洞察力，以悲憫的目光和鋒利的筆墨寫下了她們在世俗苦海中不斷沈浮的一生，做為讀者掩卷後似是仍能聽見她們那嬉笑怒罵聲。
Through his profound insight into society, Lanling Xiaoxiao Sheng renders their lives with both compassion and a razor-sharp pen, tracing their continual rise and fall in the bitter sea of the mundane world. As readers, even after closing the book, we seem still able to hear their laughter, their curses, their voices lingering on.
「為人莫做婦人身，百年苦樂由他人」
“Do not be born a woman—
for a lifetime of joy and sorrow lies in the hands of others.”
願天下女子不必再明白這話的含義。
May there come a day when no woman needs to understand the meaning of these words.
https://www.bilibili.com/video/BV1dXJgzxEtP/?share_source=copy_web&vd_source=9be2f6d7a11165075d32832828edc709
https://freight.cargo.site/t/original/i/T2865997307989677663637605842962/cover-inner.jpg
靈魂症候群
2024/2 - 2024/6
2024 / short comic
——————
這是的第一次長線創作。幾乎是在一種對創作的狂信中誕生的作品，沒有過多地思考，那段時間只是一頭扎進這個顯得有些過於故作深沉的作品中，任憑情緒和突發的靈感牽引我在一個學期（四個月）內完成了這篇28頁的漫畫。
它誕生於我的17歲。
This was my first long-form work. It was created almost in a state of blind devotion to making—without much deliberation. During that time, I simply plunged into a piece that, in hindsight, may have been somewhat self-consciously solemn, letting emotion and sudden impulses carry me through its completion within a single semester—four months—resulting in a 28-page comic.
It was created when I was seventeen.
https://www.bilibili.com/video/BV1i4WGejEnZ/?share_source=copy_web&vd_source=9be2f6d7a11165075d32832828edc709
https://freight.cargo.site/t/original/i/U2865991274539306499159720591378/cover-inner.jpg
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